Andy Warhol (1928-1987)
Marilyn Monroe; Serigraph, 1967, on wove paper, signed in pencil Andy Warhol and stamp-numbered 113/250 in ink verso; published by Factory Additions, New York; Size - Sheet 36" x 36", Frame 38" x 38"; Framed floated on a acid free white mat, wood frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.28; Price On Request!
Be A Somebody With A Body (Negative), 1985; Acrylic and silkscreen ink on canvas; Dedicated, dated, and signed 'JOHN 85 Andy Warhol' verso on the overlap; Stamped with the Andy Warhol Art Authentication Board, Inc., stamp and numbered 'A122.0911' on the overlap; Size - Canvas: 8 x 10", Frame 14 3/4 x 18 3/4"; Framed using a black wood frame; Price On Request!
Black Bean Campbell's Soup; Serigraph, 1968, on smooth wove paper, signed in ball-point pen Andy Warhol and stamp-numbered 173/250 in ink verso; published by Factory Additions, New York; Size - Sheet 35" x 23", Frame 43 1/2" x 31 1/2"; Framed with an acid free white mat, white wood frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.44; Price On Request!
Diamond Dust Candy Box, 1981; Synthetic polymer paint, diamond dust, and silkscreen ink on canvas; Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts stamps; Numbered VF PA13.005 on the overlap; Numbered twice 'PA13.005' on the stretcher; Size - Canvas: 14 x 10", Frame 17 x 13 1/4"; Framed using a black wood frame and plexiglass; Price On Request!
Self-Defense (Positive), circa 1985-1986; Acrylic and silkscreen ink on canvas; Stamped three times with the Estate of Andy Warhol stamp; Stamped twice with the Andy Warhol Foundation for the Visual Arts stamp; Numbered twice 'PA10.432 VF' on the overlap; Numbered 'PA10.432 VF' on the stretcher; Size - Canvas: 20 x 16", Frame 22 x 18"; Framed using a black wood frame and plexiglass; Price On Request!
(Untitled) Dentures, 1984; Synthetic polymer paint on paper; Signed Andy Warhol and dated 84 in pencil lower right; Stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. and numbered VF TOP 91.0004 on verso; Size - Paper: 30 1/2 x 40 1/2", Frame 35 1/2 x 46"; Framed floated on a white mat, black wood exterior frame, and plexiglass; Price On Request!
Eric Emerson (Chelsea Girls), 1982; Screenprint in colors on Somerset Satin White Paper; Numbered 69/75 and signed Andy Warhol in pencil lower right; Published by Anthology Film Archives, New York; Printed by Porter-Wiener Studio, New York; Size - Sheet 30" x 22"; Frame 39 1/2 x 31 1/2"; Catalog Raisonne: Feldman/Schellmann: II.287; Framed with a white acid free mat, wood exterior frame, and UV plexiglass; Price On Request!
Ylang Ylang, circa 1976; Acrylic and silkscreen ink on colored paper collaged on canvas; Signed lower right in pencil Andy Warhol; Original Martin Lawrence label verso; Size - Sheet: 26 1/2 x 25 1/4", Frame 39 1/2 x 38 1/4"; Framed with a linen liner mat, silver wood frame, and plexiglass; SOLD!
You're In, 1967; Three spray paint on glass Coca-Cola bottles with bottom printed tape label "YOU'RE IN Andy Warhol", one with a metal bottle stopper signed with the artist's initials 'A.W.' with found painted wood and metal crate; Literature - G. Frei and N. Printz (eds.), The Andy Warhol Catalogue Raisonné: Paintings and Sculptures 1964-1969, vol. 02B, New York, 2004, pp. 286-287, no. 1937.7-12 (another example illustrated); Size - Bottles: 8 x 2 1/4 x 2 1/4", Crate: 12 x 18 x 4 1/2"; SOLD!
Blackglama (Judy Garland) from Ads, 1985; Screenprint in colors on Lenox Museum Board; Signed Andy Warhol and numbered 184/190 in pencil lower left; Published by Ronald Feldman Fine Arts, Inc., NY; Size - Sheet 38" x 38", Frame 45 1/2" x 45 1/2"; Framed floated on a black linen mat, white gold wood exterior frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.351; SOLD!
Shadow; 1977; Synthetic polymer and silkscreen ink on canvas; Signed and inscribed 'Merry Christmas Halston' verso and signed and dated 'Andy Warhol /77' on the overlap; Stamped with the Andy Warhol Art Authentication Board, Inc., stamp and numbered 'A101.004' on the overlap; Framed using a wood canvas insert frame and an exterior black and gold wood frame; Size - 14" x 11", Frame 25" x 22"; SOLD!
Grapes D.D. (Diamond Dust), 1979; Screenprint with diamond dust on Strathmore Bristol paper; Signed Andy Warhol and numbered IV/IV in ink lower left; Published by Andy Warhol Enterprises, Inc., New York; Size - Sheet 40 x 30"; Catalogue Raisonne: Feldman/Schellmann: II.195; Unframed; SOLD!
Santa Claus Trial Proof From Myths, 1981; Screenprint in colors with diamond dust on Lenox Museum Board; Signed Andy Warhol and numbered TP 26/30 in pencil lower right; Published by Ronald Feldman Fine Arts, Inc., New York; Size - Sheet 38" x 38", Frame 45 1/2 x 45 1/2"; Catalogue Raisonne: Feldman/Schellmann: II.266; Framed floated on an acid free mat, silver wood frame, and UV conservation clear museum perfect glass; SOLD!
Joseph Kennedy II, 1986; Screenprint with colored paper collage on paper; Signed and dated along right edge: Andy Warhol 86; Stamped with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., stamps and numbered 'UF.115.230' in pencil verso; Size - Sheet: 30 3/4" x 23"; Unframed; SOLD!
Portraits Of The Artists, 1967; Screenprints on 100 polystyrene boxes in ten colors; Incised initials AW & numbered 152/200 in the Warhol lower right blue box; Artists left to right: Lee Bontecou, Frank Stella, Larry Poons, Robert Morris, Donald Judd, Robert Rauschenberg, James Rosenquist, Roy Lichtenstein, Jasper Johns, & Andy Warhol; Published by Tanglewood Press, Inc., NY; Size - 20 3/4 x 20 3/4 x 1 1/2"; Catalog Raisonne: Feldman/Schellmann: II.17; Framed; SOLD!
The Witch From Myths, 1981; Unique screenprint in colors with diamond dust on Lenox Museum Board; Signed Andy Warhol and numbered TP 4/30 in pencil lower left; Published by Ronald Feldman Fine Arts, Inc., NY; Size - Sheet 38" x 38", Frame 45 1/4" x 45 1/4"; Framed with an acid free mat, black high gloss wood exterior frame, and UV conservation clear glass; Catalog Raisonne: Feldman/Schellmann: II.261; SOLD!
Franz Kafka from Ten Portraits Of Jews Of The Twentieth Century, 1980; Screenprint in colors on Lenox Museum Board; Signed Andy Warhol and numbered AP 7/30 in pencil lower left; Published by Ronald Feldman Fine Arts, Inc., NY, Jonathan A Editions, Tel Aviv, Israel; Size - Sheet 40" x 32"; Catalog Raisonne: Feldman/Schellmann: II.226; Unframed; SOLD!
Cow, 1966; Screenprint on wallpaper; Signed and dated Andy Warhol 1966 in ink lower right; Published by Andy Warhol, New York; Printed by Bill Miller's Wallpaper Studio, Inc., New York; Size - Sheet: 45 1/2 x 29 1/4", Frame 59 1/4 x 42 3/4"; Catalog Raisonne: Feldman/Schellmann: II.11; Framed with a black wood frame, two acid free mats, and UV conservation clear glass; SOLD!
Paris Review, 1967; Serigraph with die-cut holes on cream paper; Signed Andy Warhol with a rubber stamp and numbered 1/150 in pencil lower right; Published by Paris Review, New York; Printed by Chiron Press, New York; Catalogue Raisonne: Feldman/Schellmann: II.18; Size - Sheet 37 x 27", Unframed; SOLD!
Torso (Double), circa 1982; Screenprint in colors on Saunders Waterford (Hot Pressed) paper; Andy Warhol Art Authentication Board Inc. stamp, The Estate of Andy Warhol stamp, and inscribed with unique authentication number in pencil on the reverse; Printer: Rupert Jasen Smith, NY; Size - Sheet 30 1/2" x 43"; Catalog Raisonne: Feldman/Schellmann: IIIA.35 [c]; Unframed; SOLD!
Merce Cunningham I, 1974; Screenprint on Japanese gift wrapping paper; Signed Andy Warhol and numbered 9/100 in pencil verso; Co-published by Multiples Inc. and Castelli Graphics, New York; Size - Sheet 30" x 20"; Catalogue Raisonne: Feldman/Schellmann: II.124; Unframed; SOLD!
Edward Kennedy, 1980; Screenprint with diamond dust on Lenox Museum Board; Numbered TP 1/15 and signed Andy Warhol in pencil lower right; Published by Kennedy For President Committee, Washington D.C.; Size - Sheet 40 x 32", Frame 48 x 41"; Catalogue Raisonne: Feldman/Schellmann: II.240; Framed using a linen mat liner, a black wood frame and Museum Image Perfect UV glass; SOLD!
Ulrik Trojaborg, 1986; Graphite on paper; With the 'The Estate of Andy Warhol' and 'Authorized by the Andy Warhol Foundation for the Visual Arts' inkstamps and numbered 115.315 on the reverse; Size - Sheet: 31¼" x 23½", Frame 43 1/2 x 35 1/2"; Framed floated on an acid free linen mat, with a high gloss white wood frame, and UV conservation clear glass; SOLD!
Jock Soto, 1982; Graphite on paper; With the 'The Estate of Andy Warhol' and 'Authorized by the Andy Warhol Foundation for the Visual Arts' inkstamps and numbered 115.294 and D1038 on the reverse; Size - Sheet: 31 5/8" x 23 7/8"; Unframed; SOLD!
Eric Emerson (Chelsea Girls), 1982; Screenprint in colors on Somerset Satin White Paper; Numbered 20/75 and signed Andy Warhol in pencil lower right; Published by Anthology Film Archives, New York; Printed by Porter-Wiener Studio, New York; Size - Sheet: 30 x 22"; Catalog Raisonne: Feldman/Schellmann: II.287; Unframed; SOLD!
Sunset, 1972; Serigraph on paper, numbered 77/470, signed Andy Warhol and dated 1977 in pencil verso; published by David Whitney, New York; Stamped in black verso "Hotel Marquette Prints"; Size - Sheet 34" x 34", Frame 44 1/2" x 44 1/2"; Framed with an acid free linen mat, a white high gloss wood frame, and UV conservation clear glass; Catalog Raisonne: Feldman/Schellmann: II.85-88; SOLD!
Flash-November 22, 1963, 1968; Screenprint on wove paper, an unsigned proof apart from the signed edition of 200; Housed in original folder with a page of Teletype text; Published by Racolin Press, Inc., Briarcliff Manor, New York; Printed by Aetna Silkscreen Products, Inc., New York; Size - Sheet 21" x 21"; Catalog Raisonne: Feldman/Schellmann: II.34; Unframed; SOLD!
Santa Claus From Myths, 1981; Screenprint in colors with diamond dust on Lenox Museum Board; Signed Andy Warhol and numbered 156/200 in pencil lower right; Published by Ronald Feldman Fine Arts, Inc., New York; Framed with a linen wood liner, gold fillet, gold wood exterior frame, red hand painted wood fillet, and UV conservation clear glass; Size - Sheet 38" x 38", Frame 46" x 45 1/2"; Catalogue Raisonne: Feldman/Schellmann: II.266; SOLD!
Mao, 1973; Unique Xerox print on typewriter paper; Signed Andy Warhol and numbered 102/300 in ink lower left verso; Stamped © Copyright 1973 By Andy Warhol Printed At Styria Studio in black ink, right verso; Published by Experiments in Art and Technology, Inc.; Catalog Raisonne: Feldman/Schellmann: II.89; Size - Sheet 11 x 8 1/2"; Unframed; SOLD!
U.N. Stamp, 1979; Lithograph on Rives paper; First-day cover cancellation of Swiss U.N. stamp lower left; Signed Andy Warhol in black ink vertically right margin; Printed signature lower right; Numbered 765/1000 in pencil lower center; Published by United Nations Disaster Relief Organization; Printer: United Nations; With original mailing envelope; Size - Sheet 8 1/2 x 11", Mailing envelope: 9 x 12"; Catalogue Raisonne: Feldman/Schellmann: II.185; Unframed; SOLD!
Electric Chair, 1971; Screenprint in colors on wove paper; Signed Andy Warhol and dated 71 in ink on the verso; Stamp-numbered 131/250 with the Copyright Factory Additions and Edition Bischofberger Zürich inkstamps verso; Published by Bruno Bischofberger, Zürich, Switzerland; Size - Sheet 35 1/2" x 48", Frame 41" x 53 1/4"; Framed floated on a white mat, black wood exterior frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.78; SOLD!
Mildred Scheel, 1980; Screenprint with diamond dust on Arches 88 paper; Numbered TP 8/15 and signed Andy Warhol in pencil lower right; Published by Deutsche Krebshilfe e.V., Cologne, Germany; Size - Sheet 30 1/2 x 43", Frame 44 x 56 1/2"; Catalogue Raisonne: Feldman/Schellmann: II.239; Framed using a linen mat liner, brown wood frame, white gloss wood frame, and Museum Image Perfect UV glass; SOLD!
Consomme (Beef) Campbell's Soup; Serigraph, 1968, on smooth wove paper, signed in ball-point pen Andy Warhol and stamp-numbered 238/250 in ink verso; published by Factory Additions, New York; Size - Sheet 35" x 23", Frame 37 1/2" x 25 1/2"; Framed floated on an acid free mat, with a wood frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.52; SOLD!
Flowers, 1964; Offset lithograph in colors on paper; Signed Andy Warhol and dated 1965 in pencil bottom right; From an edition of approximately 300; Printer: Total Color, New York; Publisher: Leo Castelli Gallery, New York; Catalog Raisonne: F&S (Feldman & Schellmann) 11.6; Size - Sheet: 23" x 23"; Unframed; SOLD!
Miguel Bose; Serigraph, 1983, on Saunders Waterford paper, one of a small number of impressions, with the 'The Estate of Andy Warhol' and 'Authorized by the Andy Warhol Foundation for the Visual Arts' inkstamps on the reverse, with full margins, in very good condition; Framed using two acid free mats, a silver wood frame and plexiglass; Image: 12 5/8" x 29¼", Sheet: 22¼" x 30 5/8", Frame 34 1/2 x 42 1/4"; Catalog Raisonne Feldman/Schellmann: IIIB.19; SOLD!
Van Heusen (Ronald Reagan) from Ads, 1985; Screenprint in colors on Lenox Museum Board; Signed Andy Warhol and numbered 190/190 in pencil lower right; Published by Ronald Feldman Fine Arts, Inc., NY; Size - Sheet 38" x 38", Frame 43 1/2" x 43 1/2"; Framed floated on a white mat, white wood exterior frame, and plexiglass; Catalog Raisonne: Feldman/Schellmann: II.356; SOLD!
Flash-November 22, 1963, 1968; Screenprint on wove paper, an unsigned proof apart from the signed edition of 200; Housed in original folder with a page of Teletype text; Published by Racolin Press, Inc., Briarcliff Manor, New York; Printed by Aetna Silkscreen Products, Inc., New York; Size - Sheet 21" x 21"; Catalog Raisonne: Feldman/Schellmann: II.35; Unframed; SOLD!
Self-Portrait, 1967; Serigraph on silver coated paper; Signed and dated Andy Warhol 67 in blue ball-point ink, lower left, verso and numbered 220 in blue ball-point ink, lower left, verso; Published by Leo Castelli Gallery, New York; Catalogue Raisonne: F & S II.16; Framed using a silver metal exterior frame, a silver wood exterior frame and conservation clear UV protective glass; Image 23 x 23"; Sheet 23 x 23"; Frame 29 7/8 x 29 15/16"; SOLD!
Flash-November 22, 1963, 1968; Screenprint on wove paper, an unsigned proof apart from the signed edition of 200; Housed in original folder with a page of Teletype text; Published by Racolin Press, Inc., Briarcliff Manor, New York; Printed by Aetna Silkscreen Products, Inc., New York; Size - Sheet 21" x 21"; Catalog Raisonne: Feldman/Schellmann: II.42; Unframed; SOLD!
Fish Wallpaper, 1983; Serigraph in black and white on wallpaper, from the unpublished edition of unknown size, with the 'The Estate of Andy Warhol' and 'Authorized by the Andy Warhol Foundation for the Visual Arts' inkstamps & numbered 89.88 on the reverse; Catalog Raisonne: Feldman/Schellmann: IIIA.39; Sheet: 41¾" x 30", Frame 52" x 40"; Framed with a white wood frame, linen liner, and Museum Perfect UV glass; SOLD!
Portraits Of The Artists, 1967; Screenprints on 100 polystyrene boxes in ten colors; Incised initials AW & numbered 152/200 in the Warhol lower right blue box; Artists left to right: Lee Bontecou, Frank Stella, Larry Poons, Robert Morris, Donald Judd, Robert Rauschenberg, James Rosenquist, Roy Lichtenstein, Jasper Johns, & Andy Warhol; Published by Tanglewood Press, Inc., NY; Size - 20 3/4 x 20 3/4 x 1 1/2"; Catalog Raisonne: Feldman/Schellmann: II.17; Framed in a plexibox.
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"My fascination with letting images repeat and repeat - or in film's case 'run on' - manifests my belief that we spend much of our lives seeing without observing." - Andy Warhol
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Andy Warhol became part of a very exclusive group of artists that the famous and influential New York dealer, Leo Castelli, represented. Castelli (1907 - 1999) was an Italian-American art dealer. His New York gallery showed modern and contemporary artwork for five decades. Among the art movements which were covered included: Surrealism, Abstract Expressionism, Neo-Dada, Pop Art, Op Art, Color Field, Hard-edge Geometric, Lyrical Abstraction, Minimalism, Conceptual Art, and Neo-expressionism.
David Whitney, in 1967, organized an exhibition to commemorate the tenth anniversary of the Leo Castilli Gallery. The show was entitled "Leo Castelli Ten Years," was held February 4-26, and included sixteen gallery artists. Andy Warhol's contribution (who came to the gallery late, after having two shows at Eleanor Ward’s Stable Gallery) to the show was a series of individual canvas portraits of twelve of the gallery artists: Lee Bontecou, John Chamberlain, Frank Stella, Larry Poons, Robert Morris, Donald Judd, Robert Rauschenberg, James Rosenquist, Roy Lichtenstein, Jasper Johns, Cy Twombly, and himself. The photographs of the artists were provided by the Castelli Gallery and Warhol then both cropped and enlarged them to created a silkscreen. The individual portrait images were then screened onto single colored canvases and were hung in the gallery foyer.
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In early 1967 Tanglewood Press published a Portfolio entitled "Ten Faces of Leo Castelli," also to commemorate the tenth anniversary of the Leo Castilli Gallery. Warhol's contribution was a variant of his work for the Castelli exhibition. The work was entitled "Portraits of the Artists" and depicts the same portrait images of ten of the Castelli artists (Chamberlain and Twombly were not included). Warhol screenprinted each portrait using black ink onto ten different colored 3-D polystyrene boxes, each measuring approximately 2” x 2”. The boxes were then put into a frame, but they were not attached to each other; thus allowing the owner to rearrange the boxes in any order (Note: The order pictured seems to be the original published orientation). The framed 100 boxes form a square work of art approximately 20” x 20” and the artists pictured here are left to right: Lee Bontecou, Frank Stella, Larry Poons, Robert Morris, Donald Judd, Robert Rauschenberg, James Rosenquist, Roy Lichtenstein, Jasper Johns, and Andy Warhol.
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"Portraits Of The Artists," 1967 is one of Warhol's greatest editioned works from the 1960's; the high period for Pop Art. The work certainly references the portrait that Warhol created for Ethel Scull, whose father was a wealthy taxi cab owner. "Ethel Scull 36 Times," 1963 was a series of equally sized portraits of Scull varying only in the portrait pose and the background color of the canvas. The 36 canvass, like "Portraits Of The Artists," could be rearranged into any order that most appealed to the owner. Both works illustrate the wonderful use of Warhol's fascination with repetition. For "Portraits Of The Artists," 1967 because the portrait is screened onto the top of a colored box, there is a shadow created on the bottom; further adding to the multiplicity of the portrait image. The edition for the multiple is only 200, however because so many from the edition are part of major art museums throughout the world (including the Museum of Modern Art and The Andy Warhol Museum), this is a wonderful opportunity to obtain a very rare, original, and important piece of Andy Warhol 1960's artwork!
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"Isn't life a series of images that change as they repeat themselves?" - Andy Warhol
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